She shot to fame, then vanished just as quickly. What happened to Nunavut’s greatest modern artist ?
MY SEARCH FOR ANNIE POOTOOGOOK begins at Feheley Fine Arts, an elegant red-brick gallery in downtown Toronto that deals in high-end Inuit art. The owner, Patricia Feheley, is a veteran in this business. Slight and stylish, she has the refined air you’d expect of a gallery owner. She became one of Pootoogook’s most fervent champions as soon as she laid eyes on the artist’s ink-and-crayon drawings in Cape Dorset more than a decade ago. She recalls going “absolutely crazy” for them: “It was the base honesty. She was drawing exactly what she wanted; she didn’t care what other people were doing.” The images offered a blunt, sometimes jarring, portrayal of modern life in an Arctic settlement: Ski-Doos and Coleman stoves, TV and sex, alcohol and domestic abuse. The style was fresh, uninhibited, modern. There were no dancing bears; none of the trite themes that the Inuit art industry has long relied on. Giddy with her discovery, Feheley left Cape Dorset with half-a-dozen of Pootoogook’s drawings, which she showed in an exhibition called “The Unexpected.” The pictures were a hit and all of them sold. Over the next few years, Pootoogook’s work would catch the eye of the contemporary art world and rocket the young artist to fame. Continue reading